2026 Grammys Highlights

The 2026 Grammys celebrated a diverse array of musical triumphs across genres.

Kendrick Lamar solidified his legendary status, capturing five awards including Record of the Year for "Luther" with SZA.

This victory helped him surpass Jay-Z to become the most awarded rapper in Grammy history.

Album of the Year honors went to Bad Bunny for 'Debí Tirar Más Fotos', while Billie Eilish won Song of the Year for "Wildflower".

Olivia Dean was named Best New Artist in a highly anticipated category.

Lady Gaga emerged as a pop force, earning two awards for her hit "Abracadabra", which also won a remix prize.

The evening was marked by several unexpected victories.

Lola Young secured Best Pop Solo Performance for "Messy", besting several high-profile contenders.

In country music, Jelly Roll triumphed with three wins, including Best Country Album.

The pre-telecast ceremony distributed numerous honors, with artists like Kehlani, The Cure, and Ludwig Göransson each collecting two awards.

Notable winners from the afternoon included Laufey, Chris Stapleton, Tyler Childers, and the 'Wicked' duo Cynthia Erivo and Ariana Grande.

Producer Cirkut and songwriter Amy Allen were recognized as the year's top non-classical creators.

The awards reflected a broad spectrum of talent, from established icons to breakthrough acts, defining a vibrant year in music.The 2026 Grammy Awards Showcase Musical Excellence Across Genres

The 2026 Grammy Awards celebrated a diverse range of musical talent, with Turnstile emerging as a significant force in the rock categories. The band claimed the coveted Best Rock Album award for "Never Enough" and dominated the metal scene with their winning performance of "Birds."

In a night filled with notable victories, The Cure made a triumphant return to the spotlight, securing both Best Alternative Music Performance for "Alone" and Best Alternative Music Album for "Songs of a Lost World," demonstrating their enduring relevance in the music industry.

R&B categories saw powerful performances recognized, with Kehlani's "Folded" earning Best R&B Performance and Best R&B Song. Leon Thomas impressed judges across multiple categories, winning Best Traditional R&B Performance for "Vibes Don't Lie" and Best R&B Album for "Mutt."

The rap landscape was equally competitive, with Kendrick Lamar continuing his Grammy dominance. His collaboration with Lefty Gunplay on "TV Off" secured Best Rap Song, while "Chains & Whips" featuring Clipse, Pusha T, Malice, and Pharrell Williams took home Best Rap Performance. Lamar's "Luther" featuring SZA also claimed Best Melodic Rap Performance.

In the electronic dance music arena, remixers received recognition for their innovative work, while spoken word poetry saw Mad Skillz honored for "Words for Days Vol. 1."

Jazz categories celebrated both established legends and rising talents, with Chick Corea, Christian McBride, and Brian Blade winning Best Jazz Performance for "Windows - Live." Samara Joy continued her meteoric rise with a Best Jazz Vocal Album win for "Portrait."

The ceremony highlighted the recording industry's evolving landscape, showcasing artists who continue to push boundaries while honoring traditional musical excellence.The night belonged to Kendrick Lamar, who dominated the 2026 Grammys with five awards.

Yet, the spotlight shone across diverse genres, with Bad Bunny, Billie Eilish, and Lady Gaga securing pivotal victories.

In the jazz realm, Arturo O’Farrill & The Afro Latin Jazz Orchestra triumphed twice, winning for 'The Original Influencers' and 'MundoAgua – Celebrating Carla Bley'.

Nate Smith's 'Live-Action' captured Best Alternative Jazz Album, while Arkai's 'Brightside' won for Best Contemporary Instrumental Album.

The country categories saw a spread of winners, including Chris Stapleton for Best Country Solo Performance and the collaboration 'Amen' by Shaboozey & Jelly Roll.

Tyler Childers earned Best Country Song for 'Bitin’ List', and Zach Top's 'Ain’t In It For My Health' was named Best Traditional Country Album.

In pop, Lady Gaga's 'Harlequin' was a nominee, but Laufey claimed Best Traditional Pop Vocal Album with 'A Matter of Time'.

The American roots field celebrated legends, with Mavis Staples winning twice for 'Beautiful Strangers' and 'Godspeed'.

Jon Batiste's 'Big Money' was awarded Best Americana Album, and Billy Strings took home Best Bluegrass Album for 'Highway Prayers'.

Blues icons were honored, as Buddy Guy won Best Traditional Blues Album and Robert Randolph won Best Contemporary Blues Album.

The group I'm With Her secured Best Folk Album for 'Wild and Clear and Blue'.

In gospel, CeCe Winans featuring Shirley Caesar won for 'Come Jesus Come', while a powerful collaboration between Brandon Lake and Jelly Roll won in contemporary Christian.

The musical 'Buena Vista Social Club' won the award for Best Musical Theater Album, capping a night of widespread artistic celebration.The ceremony's dawn was marked by heartfelt performances, including the soulful rendition of "Then Came the Morning" by the Gaither Vocal Band. The Isaacs delivered a stirring praise and worship song, emphasizing the power of genuine faith beyond superficial hallelujahs. Karen Peck & New River offered a moving rendition of "Good Answers," while Candi Staton took audiences back to her musical roots with a nostalgic performance.

In the Latin categories, Rauw Alejandro's "Cosa Nuestra" was crowned Best Latin Pop Album, showcasing his vibrant style. Andrés Cepeda's "Bogotá (Deluxe)" and Karol G's "Tropicoqueta" also received high honors, with Natalia Lafourcade's "Cancionera" taking home the award for Best Latin Pop Album. Alejandro Sanz's "¿Y Ahora Qué?" was recognized for its lyrical depth.

Bad Bunny's "Debí Tirar Más Fotos" was awarded Best Música Urbana Album, highlighting his influence in the genre. J Balvin's "Mixteip" and Feid's "Ferxxo Vol X: Sagrado" were notable nominees, alongside Nicki Nicole's "Naiki" and Trueno's "EUB Deluxe." Yandel's "Sinfónico (En Vivo)" further enriched the Latin urban scene.

The Best Latin Rock or Alternative Album category was won by Ca7riel & Paco Amoroso for "Papota," edging out other talented artists like Aterciopelados with "Genes Rebeldes" and Fito Páez's "Novela." Gloria Estefan's "Raíces" was celebrated as the Best Tropical Latin Album, alongside albums by Rubén Blades and Grupo Niche.

Bad Bunny also made a splash internationally with his performance of "EOO," earning the accolade for Best Global Music Performance. Angélique Kidjo's "Jerusalema" and Anoushka Shankar's collaborations were also recognized in this diverse category.

Burna Boy's "Love" was awarded Best African Music Performance, while his album "No Sign of Weakness" earned him further recognition in the Best Global Music Album category, alongside works by Youssou N’Dour and Shakti. Carla Patullo's "Nomadica" secured the award for Best New Age, Ambient, or Chant Album, with other nominees including Kirsten Agresta-Copely and Jahnavi Harrison.

The children's music segment honored Joanie Leeds & Joya’s "Ageless: 100 Years Young," with Fyütch & Aura V's "Harmony" taking home the top prize in the Best Children's Music Album category. In comedy, Nate Bargatze's "Your Friend, Nate Bargatze" was recognized as the best, beating out other comedic works.

Kathy Garver’s storytelling about Elvis and Rocky, titled "Elvis, Rocky & Me," was awarded Best Audiobook, while the soundtrack for "Sinners" earned the Best Compilation Soundtrack for Visual Media, with "Wicked" also in the running.

For film and TV scores, Ludwig Göransson's work on "Sinners" and John Williams' "Music by John Williams" were highlighted as top compositions. Austin Wintory's "Sword of the Sea" was honored as the best score for video games and interactive media.

In the realm of visual media, Doechii's "Anxiety" won Best Music Video, with Sabrina Carpenter and Clipse also recognized for their compelling visuals. The ceremony concluded with "Music by John Williams," a tribute film directed by Laurent Bouzereau, celebrated as the Best Music Film for its outstanding storytelling and production quality.

2026 Grammy Highlights

The 2026 Grammy Awards: A Night of Triumphs and Surprises

The prestigious 69th Annual Grammy Awards ceremony delivered a night of musical celebration with several artists claiming multiple honors across diverse categories.

Tyler, the Creator's "Chromakopia" secured the Best Album Cover award, with art directors Shaun Llewellyn and Luis "Panch" Perez receiving recognition for their innovative visual design, beating out competitors including Bad Bunny's "Debí Tirar Más Fotos" and Wet Leg's "Moisturizer."

In the historical preservation categories, Joni Mitchell's archival collection "Joni Mitchell Archives – Volume 4: The Asylum Years (1976-1980)" was honored as Best Historical Album. The compilation, produced by Patrick Milligan and Mitchell herself, showcases the artist's creative evolution during her Asylum Records period.

The technical achievements celebrated included Blake Mills and Joseph Lorge's engineering work on "That Wasn't a Dream" by Pino Palladino and Blake Mills, which won Best Engineered Album, Non-Classical. Meanwhile, Mike Tierney's engineering on Sandbox Percussion's "Cerrone: Don't Look Back" claimed the classical engineering equivalent.

Elaine Martone emerged victorious as Producer of the Year, Classical, while Justin Gray's "Immersed" took home the Best Immersive Audio Album award, highlighting the growing importance of spatial audio technologies in modern music production.

Composition and arrangement categories saw Remy Le Boeuf's "First Snow" win Best Instrumental Composition, while The 8-Bit Big Band's innovative "Super Mario Praise Break" arrangement by Bryan Carter, Charlie Rosen, and Matthew Whitaker claimed Best Arrangement, Instrumental or A Cappella.

Nate Smith featuring Säje won Best Arrangement, Instruments and Vocals for "Big Fish," and the Boston Symphony Orchestra conducted by Andris Nelsons received the Best Orchestral Performance Grammy for their interpretation of Messiaen's complex "Turangalîla-Symphonie."

Bruce Springsteen's "Tracks II: The Lost Albums" with art directors Meghan Foley and Michelle Holme won Best Album Cover Design, while Miles Davis's "Miles '55: The Prestige Recordings" with notes by Ashley Kahn claimed Best Album Notes, celebrating the legacy of these iconic artists.This year's Grammy ceremony showcased a diverse array of exceptional performances and recordings across classical and contemporary genres.

Yannick Nézet-Séguin led the way with a remarkable win for his interpretation of ‘Still & Bonds’ with the Philadelphia Orchestra, highlighting his mastery in contemporary orchestral works.

Esa-Pekka Salonen captivated audiences with his rendition of Stravinsky’s ‘Symphony in Three Movements,’ performed by the San Francisco Symphony, further cementing his reputation as a leading modern conductor.

In the category of Best Opera Recording, the Houston Grand Opera’s ‘Heggie: Intelligence,’ conducted by Kwamé Ryan, earned top honors, featuring stellar performances by Jamie Barton, J’Nai Bridges, and Janai Brugger, with Blanton Alspaugh producing.

The American Composer’s Orchestra, under Carolyn Kuan’s baton, received praise for their rendition of Huang Ruo’s ‘An American Soldier,’ a compelling piece produced by Adam Abeshouse, with ensemble members including Hannah Cho and Alex Desocio.

Mary Kouyoumdjian’s ‘Adoration,’ performed by the Silvana Quartet and the Trinity Wall Street Choir, was celebrated for its powerful choral expression, conducted by Alan Pierson.

Irish National Opera Orchestra’s ‘Trade & Mary Motorhead,’ conducted by Elaine Kelly, was recognized for its innovative orchestral storytelling, with producers Oisín Ó Dálaigh and John Molloy.

Yannick Nézet-Séguin’s ‘Grounded,’ featuring Ben Bliss and Emily D’Angelo, and produced by David Frost for The Metropolitan Opera, stood out among the best choral performances, alongside Gustavo Dudamel’s compelling ‘Yanga’ with the Los Angeles Philharmonic, which took home the award.

The Los Angeles Master Chorale’s ‘Yanga,’ conducted by Dudamel and chorus master Grant Gershon, was honored for its exceptional choral excellence.

In the realm of chamber music, Alarm Will Sound’s interpretation of ‘Land of Winter’ by David Dennehy was distinguished as the best performance, alongside notable entries like the Neave Trio’s ‘La Mer’ and Paul Cantelon’s ‘Lullabies for the Brokenhearted.’

Yo-Yo Ma’s rendition of Shostakovich’s ‘Cello Concertos,’ conducted by Andris Nelsons, earned the award for best classical instrumental solo, showcasing his unparalleled artistry.

Yuja Wang’s solo work on Shostakovich’s Piano Concertos also received acclaim, emphasizing her technical prowess.

In vocal solo categories, Allison Charney’s ‘My Mother’s Dream’ was awarded for its emotionally resonant performance, with other notable nominees including Sidney Outlaw and Devony Smith.

Amanda Forsythe’s ‘Ino’ from Telemann’s opera arias for soprano was recognized as the best classical solo vocal album, highlighting her expressive singing.

The classical compilation category saw Gustavo Dudamel’s ‘Yanga’ take the top spot, alongside other distinguished albums like Christina Sandsengen’s ‘Tombeaux’ and Janai Brugger’s ‘Seven Seasons.’

Contemporary classical compositions featured works by Christopher Cerrone, Donnacha Dennehy, Tania León, and Shawn E. Okpebholo, with Gabriela Ortiz’s ‘Dzonot’ emerging as the winner, celebrated for its innovative spirit and compelling orchestration.

Overall, the Grammy awards this year celebrated a spectrum of musical excellence, from traditional symphonies to groundbreaking contemporary works, honoring artists and ensembles who continue to push the boundaries of classical and modern music.

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